Adler & Voss case study: identity and home page for a Brussels architecture practice

Visual identity and website mockup for a fictional architecture practice in Saint-Gilles, imagined to show how I approach an architect's website.

Logo · Website · 2026 Concept project

The project

Architects sell a way of seeing. Their website should be as carefully made as their plans, and yet many rest on a generic theme that looks like the neighbour's. To show what I can do for them, I invented a demanding client.

Adler & Voss is a Brussels practice founded in 2012 by two architects, a team of fifteen working in French, Dutch and English. Their projects range from the renovation of a mansion to the construction of a school, by way of extensions and interior architecture.

An established practice, with awards and publications, that needs a website worthy of its reputation.

The pencil work

Adler & Voss logo sketches, the A and V monogram in pencil
Adler & Voss logo sketches, the hexagon taking shape
Adler & Voss logo: the A and V monogram and the name, pale pink on emerald

The home page

The Adler & Voss home page mockup, the full page

The art direction

The projects come first, full screen, with the sentence that sums up the practice: “Places that last.” The pink is kept for text and details, never as a ground, so the emerald keeps all its depth.

The typography pairs a serif for the titles, elegant and calm, with a sans for everything else. It reads as a serious practice, never a cold one.

The rhythm of the content

You walk down the page the way you visit a practice. First the projects, then who they are and what they have built in numbers, the gallery of works, the two founders in their own words, their four trades, the awards and the news. At the very bottom, three doors depending on the visitor: a private client with a project, a public authority, a future colleague.

Each section answers the question the visitor is asking at that moment, and leads them to the next.

The attention to detail

Line icons

One icon per trade (architecture, renovation, extension, interior design), drawn in a fine line like an architect's sketch, all standing on the same ground line.

The rules

Fine one-pixel lines separate the awards and structure the page, like the hatching that fills a section on a plan. A vocabulary architects recognise without needing it explained.

An imaginary project, but a real method. Start from what makes a trade valuable, translate it into an identity, then build a page where every section has a reason to be.

Are you an architect whose website no longer looks like you? Let's talk.